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Black and white pictures from The Guardian of the roles played by Sidney Poitier, who died at age 94, showing black people with new dignity and freedom during the fifties and sixties. The struggles of this period ended segregation in the US. The struggles from the fifties started the fight against Apartheid in South Africa. Sidney Poitier played a role in the emancipation in South Africa with the 1951 movie made from the classic book Cry The Beloved Country portraying the troubles of Apartheid segregated society. In 1996 he played the role of Mandela with Sidney Caine as De Klerk in the movie on the reconciliation and the end of Apartheid South Africa. Between these years he took part with Harry Belafonte in the March on Washington made by Martin Luther King in 1963. 

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Wesley Morris provides a look at Sidney Poitier, who changed attitudes towards race in America and Europe, from a New Yorker's perspective. He says Poitier did so much to create the more open cultural attitudes in the US and Europe, and South Africa that we find today, and did this with humility and grace. He puts Poitier's contribution in changing racial attitudes in the longer perspective in America with Frederick Douglas, Harriet Tubman, Martin Luther King. In a larger sense these attitudes also led to changes in attitude towards people from Asia and other countries, that started with Mohandas Gandhi and his efforts against segregation in South Africa in 1900.

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Sidney Poitier accomplished a great deal for the cultural changes that happened since the fifties in race and attitudes in America and Europe, by portraying black people in brave and interesting roles. Here Germany's DW.com looks at Bahamian-American actor, film director, and civil rights activist Poitier in a European perspective. Poitier was born to parents from the Bahamas where he grew up, and lived with his brother in Miami at age 15. There he could barely read and learned reading from a Jewish waiter while doing dishes at a restaurant. DW.com says "In the Heat of the Night" remains one of the best films to deal with the issue of racism. Other Poitier films also took up the issue of racism from different angles to defuse prejudice. Critics said the black characters in his movies are always good hearted, strong, proud, but not showing human flaws. DW.com points out that Poitier would have preferred to also play different roles, but he wanted to contribute to the black community through his acting. Poitier had depth of talent and character. A quote on Arizona State University website for the film school named after Poitier shows his thirst for knowledge: "No one knows all there is to know. The task is to learn as much as you can about as much as you can."  Both Poitier and Belafonte who had backgrounds growing up in the West Indies in families struggling to make a living, never stopped learning. ...

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As a civil rights campaigner Harry Belafonte's efforts were legendary. NYT gives these black and white pictures of Belafonte in an anti Apartheid protest outside the South African embassy in 1964, addressing a civil rights rally in New York in 1960, with Sidney Poitier at a civil rights rally (he studied theater at the American Negro Theatre with Poitier), and checking on free primary education in Kenya in 2004 for UNICEF.